Author: Sue Young

Celebrating The Life of…Ray Harryhausen

After seeing King Kong (1933) Ray Harryhausen was inspired to experiment with and develop his own unique stop motion animation called Dynamation. He joined forces with model maker and animator Willis O’Brien, to bring his own unique creatures to life. He took art and sculpture classes at this time and also made life long friends with the writer Ray Bradbury.

‘Evolution of the World’ was one of the first demo reels he produced featuring fighting dinosaurs. His first animation job was on George Pal’s Puppetoon shorts.

Ray served in the U.S.A Special Services Division during World War 2. He made documentary shorts on the use of military equipment. After the war, he made a series of fairytale shorts, which he called his ‘teething rings’. His father worked the armatures of the models, while his mother assisted with little costumes for his animated characters.

In 1947, he was hired as assistant animator on Mighty Joe Young (1949) and then on ‘The Beast from 20,000 Fathoms’ as main animator. The film was a major international box office hit for Warner Brothers. Ray worked with producer Charles H. Schneer on Columbia Pictures and made ‘It Came From Beneath The Sea’ (1955) featuring a giant octupus. This was followed by the extra terrestrial invasion film, ‘The Earth vs The Flying Saucers’. After ’20 Million Miles To Earth,’ he began working with colour film to make ‘The 7th Voyage Of Sinbad’. It was the top grossing film of that year.

The 60’s saw the release of ‘Mysterious Island’ and ‘Jason and the Argonauts.’ After the success of ‘One Million Years B.C‘, Sinbad was to raise his handsome head again, in ‘The Golden Voyage Of Sinbad‘ and ‘Sinbad and the Eye of the Tiger.’ Both films were box office hits.

His last major motion picture was ‘Clash of the Titans.’ (1981) which was nominated for a special effects award. ‘The Story of the Tortoise and the Hare’ was originally undertaken in the 1950’s and finally finished in 2002. It won an award for best short film.

At 90 years old, Ray was given a special tribute hosted by John Landis, where he was presented with a BAFTA award by Peter Jackson. Steven Spielberg and James Cameron are among the many movie directors who have cited him as an enormous influence and inspiration. George Lucas said that without Ray Harryhausen, there would likely have been no Star Wars.

Harryhausen founded the Ray and Diana Harryhausen Foundation, a joint UK/ US charity, which perserves his collections and promotes the art of stop motion animation. John Walsh, a BAFTA nominated filmaker is a trustee of the foundation. He is also interested in developing Ray’s lost film projects and runs a podcast dedicated to him.

One of my favourite dynamation films is ‘The Golden Voyage Of Sinbad’ featuring Tom Baker, who plays an evil sorcerer. It was so memorable seeing ‘Clash of The Titans‘, in the cinema when I was eleven. The scene at the end with Medusa was very powerful and dramatic.

Ray brightened up my childhood with his unique fantasy movies. I have most of them and watch them regulary. I find them as magical and as exciting today as I did when I was a kid. As Tom Hanks says, ‘Some people say Casablanca’ or ‘Citizen Kane’, I say, Jason and the Argonauts’ is the greatest film ever made. ‘

Whatever Happened To… Lindsay Wagner?

Lindsay Wagner is an American movie and TV actress. She signed a contract with Universal Studios in 1971, and in 1975, appeared in The Six Million Dollar Man, in which she played the love interest of Steve Austin (Lee Majors). In one episode, she was injured while skydiving and died when her body rejected the bionic implants given to her in emergency surgery. Lindsay’s character (Jaime Sommers) was very popular with the public and producers had to do an about face, resulting in a Dallas type plot recovery. i.e Bobby Ewing shower scene. Well, not quite but they brought her back to life. Perhaps it had all been a dream.

The Bionic Woman first aired in 1976, and Lindsay was to receive an Emmy Award for her performance in the series. When it was cancelled in 1978, Lindsay starred in the miniseries ‘Scruples’ and three Bionic reunion movie with Lee Majors between 1987 and 1994. She also appeared in an episode of The Fall Guy. She had a role as Dr. Vanessa Calder in SyFy Hit drama ‘Warehouse 13’ and has also starred in ‘Grey’s Anatomy’.

Several years ago, she began teaching, acting and directing at San Bernandino Valley College as an adjunct professor.

She has written a vegetarian cookbook called ‘High Road To Health’ and runs self help therapy workshops on spirituality and meditation called ‘Quiet The Mind’ and ‘Open The Heart.’

She has been married four times and has two sons.

Her latest appearances were in 2018, in Fullers House, as Millie, and in the biblical drama ‘Samson.’ She is appearing (voice) in a video game called Death Stranding, which is currently in Post Production.

In my childhood, I found Lindsay Wagner’s portrayal of the Bionic Woman to be very positive. She wasn’t bitchy, temperamental, jealous or malicious. She was strong and assertive but also kind and gentle. I looked up to her and thought that when I was grown up, Jaimie Sommers would make a good friend. I have no idea what Lindsay is like as a person, but the character she played was memorable and a source of hope and comfort to me when I was young.

She has written a number of books on acupuncture and has found the practice a successful alternative to a face lift. The proof is in the pudding I think, or it could be in her genes. Either way, she’s looking pretty good. A few days ago, she turned 70, so Happy Birthday Lindsay.

Celebrating the life of…Harry Chapin

Who is this man? If it wasn’t for Star Trek, I might never know

What has a Star Trek Next Generation novel got to do with me writing a celebration of Harry Chapin’s life? Well, there is a connection but I’ll tell you later. For now, I want to talk about the man himself, Harry Chapin, a folk singer born in Brooklyn, New York in 1942. He started out wanting to be a documentary maker and for a while, he did just that. He was even nominated for an Academy Award for directing a boxing documentary called ‘Legendary Champions‘ in 1965.

He soon turned his attention to music, at first teaming up to play and sing with his brothers and dad and then performing on the nightclub circuit. He was discovered by Elecktra Records, where he won the first multi million dollar recording contract in a bidding war between major producers.

His first album, ‘Heads and Tails’ was a world world success. He followed this up with 10 more studio albums over the years and released 14 singles. His best known songs are probably ‘Taxi‘, his first single, and ‘Cat’s In The Cradle,’ a story about a father not having enough time for his son. The son grows up, becomes a father and makes the same mistake. Harry, by this time, was married with two children and three stepchildren. Harry’s wife wrote the lyrics as a warning to him. His father hadn’t been around much and now it looked like he would repeat history. Harry put a melody to the words and that’s how the song came about.

By the end of the seventies, Chapin was one of the highest paid musicians, and yet, he was never very popular with music critics. They didn’t like his music and they didn’t like the unconventional way he put a song together, perhaps it wasn’t the standard accepted way, whatever that is.

His social activism began in the mid seventies.

‘He saw poverty and hunger as an insult to America’

Harry’s daughter, Jen

He co-founded the organisation World Hunger Year, now WhyHunger. More than half of his concerts were benefits. He donated a third of his paid concerts to charity too. He often performed alone, just with a guitar to keep costs down. His widow, Sandy says, ‘He was supporting 17 relatives, 14 associations, 7 foundations and 82 charities.’

On the way to perform at a free concert, aged just 38, he was involved in a car crash, which resulted in his death. He was post humously awarded the Congressional Gold Medal for his tireless involvement in social issues, particularly the issue of hunger, world wide and in America. He is recognised as a key member of the Presidential Commission on World Hunger. He was the inspiration for USA For Africa and Hands Across America.

A Hungerthon was held to benefit Harry’s World Hunger League, highlighting the severity of hunger in America, in New York City and in the tri state area. After his death, the Hungerthon continued. At the the Live Aid concert, held in Philadelphia, in 1985, Kenny Loggins was presented with the first ‘Harry Chapin Award’ for his work in fighting hunger in America.

The Harry Chapin Foundation continues with his widow as chairperson.

And now, Star Trek, where’s the connection and do you really care, probably not, but I find it strange how seemingly unconnected things come together in delightful ways. If it wasn’t for the Star Trek Next Generation novel ‘Power Hungry’ which is about emergency famine relief, needed for the planet Thiopa, I wouldn’t even know who Harry Chapin is, let alone be writing about him. Ignorance isn’t always bliss. The writer, Howard Weinstein had dedicated the forward/introduction to Harry Chapin. I’m embarrassed to say I didn’t know of him before that but after reading about his life, I felt compelled to celebrate it.

Physics

Do you remember our first date

And our first kiss?

When the bus jolted

My cheek smacked your lips

Your nose stabbed my eye

And so we broke the ice

Do you remember the days

Filled with laughter?

Our hearts free and happy

Many afternoons

Of tea and crumpet

The ice melted

Do you remember the dream we had

And realised?

We had frowned forever

Now smiles of joy

Imprint our lives

Melted ice, now a pool of hot water

Do you remember we loved

In defiance?

Snarled at the world

Affronted by the rules

Bewildered by the sun

Pool of hot water sizzles to steam

And now we’re so far gone

No backward glance

Like a helium balloon

You go up

I go up

The steam rises.

Chameleon

The skin is old, Old as the hills

Older than time, Won’t let go

But no face lifts, No surgery

No peeling it off physically

Though… it’s kind of like that.

Old skin, saturated with old things

Underserved guilt

Toxic shame

Embedded in the cells

Sealing in the grey

But now it’s time to slough the leperous skin

That no-one seems to see but me.

Old skin is the old ways

Old habits, old attitudes

Brought up with the negative

Programmed to live in the shadows

Time to shed old skin

And in its place

A brand new coat of flesh

Snuggled, cosy, comfy, clean

Like after a hot bath

The chameleon slips from the jacket

Hurt skin needs to go

And needs the complexion of her baby self.

She can have the skin of a new born and start again

Feeling untainted, undamaged, pure, good

But the old skin was comfortable in a sinister kind of way.

Familiar

Sunscreen can’t stop the sun attacking this old skin

Can’t heal the network of sores

That built up over the years

What-iffing won’t make it better

There’s no bandage for this

No ointment, no cream

No miracle cure

Except to be like a chameleon

Let the skin fall away

Unbutton the pain

And start to live.