Oh Han, put me into hyper drive, the way you used to do…

HanChillinAtChalmuns-ANH
What you see, is what you get.

All the real fans who give a toss will have seen Star Wars The Force Awakens by now. And to those who haven’t seen it, by your very actions, it’s obvious that you’re not really arsed, but I still have to do this

SPOILERS ALERT! SPOILERS ALERT!

I’ve already discussed sexism in Hollywood, and we’ve all seen what a terrible mess it is. Injustice doesn’t come into it, it’s horrendous, but ageism, oh my goodness, now there’s a can of worms, there’s a bargepole no-one will touch. Why, because it’s sticking up, in luminous yellow and undulating like the Alarm Meanies in Yellow Submarine. It’s the huge pink elephant in the room. These Hollywood big shots, these movie moguls, these polyester patriarchs (cashmere I know) just look what they did to Han Solo in Star Wars, The Force Awakens? It was like Euthanasia. Ageism at work. Why the hell didn’t they make him grow old a little more gracefully? Okay then, disgracefully. Beforehand, I had one of those dreaded sneaking suspicions. I sort of knew it was going to happen, I had the inkling, and it doesn’t surprise me one bit. Why? Well, because he’s over fifty, and if you’re over fifty in the movie business…At least, please, let him grow old I said to myself fretfully, don’t cull him, don’t cull any of them just because they’re getting on a bit. Oh, wait, you did? My worst fears were realised. I guess I’m too late, and even if I’d have got there in time, I still wouldn’t have been able to do anything about it.

Here’s a guy who has been flying the Millennium Falcon for about fifty years now, lovingly, O.C.D-ishly, manically, lustily even, and then, some snotty nosed kid comes on board, who has never seen its innards, and suddenly starts telling Han how to fly it. Okay, he’s been away a while, but this man knows EVERYTHING there is to know about the Millennium Falcon. He’s an EXPERT. He would have made love to it, if it would have been physically possible. He would have married it and had its babies. So they better not start telling me he’s forgotten how to fly it, or what buttons to press, ‘cos he’s always known how and where to press her buttons.

Just because he’s mature, does that mean he’s not quite up to scratch ? His mental faculties are not at optimum, is that what they’re telling me? That does not ring true with Han, simply because this is a man who has full control of his faculties.

Even though, every pirate and business associate in the universe, are all swarming after him, for debts and favours, in a DELUGE, he’s roguish enough to swindle them and avoid them which makes him competent mentally, in fact, makes him sharper than you’re average guy. He has game and if you’ve got game, you’ve got guile, and if you have guile…you have NOT FORGOTTEN HOW TO FLY THE MILLENNIUM FALCON!

In Star Wars, Episode VI, Return Of The Jedi, Lando Calrissian ‘borrows’ The Falcon for a Saturday night date, (yes I know, not really, but how cool would that have been) and he assures Han that ‘it won’t get a scratch’ and ‘no snogging in the back seat.’ Han replies, in what was to end up, a classic quote from the movie, ‘I got your promise now, not a scratch.’

Now does that sound like a man who, thirty years on, or so, would then allow the Millennium Falcon to get into such a state of disrepair? I don’t care if, during his mid life crisis, he forgot about his ‘oneitis’ (which, by definition, cannot be forgotten really). I don’t care if he bought a red sports car, an electric guitar, a leather jacket and a 18 year old Miss Corellia Coast beauty pageant winner, he would not abandon and neglect his beloved ship. (The Star Wars land, Corellia, is forest and jungle terrain but ‘Corellia Coast’ has such a nice ring about it).

Nowadays, they kill you off before you get your first liver spot.

Are people so afraid of death that we can’t have old people on the silver screen, for a long time, with lots of lines, having meaningful and important roles, that last through to the end of the movie?

So if Han would have lived, perhaps he would have smelled of wee and start wearing purple, who knows.

Come on, let’s give the up and coming stars of tomorrow a chance. We’ve had our day. It’s a young man’s game. It’s not like the forties any more, where twenty year olds would happily be played by fifty year olds. I’m sure that trend will come round again someday.

Until then, the desert is a great training ground, making brilliant pilots at such a young age.

Luke needed many months of training by the great Jedi master Yoda, before he got up to Rey’s standard and she’s barely out of her teens. It’s not like the old days, when skills got learned over time. Luke didn’t know how to spit in a bucket when he left Tatooine. People need a bit of green in them, so we can see the difference later on (I think it’s called growth) but Rey is successfully playing the Jedi Mind Tricks now. And yet it took Luke, what, five years of serious intense training with Yoda, on the Dagobah System, to achieve the same results?

Apparently, it’s fine to be an amazing pilot and learned mechanic, even though you’ve been barely irking out a living as a desert scavenger and can barely afford to eat. Nice to see that hunger and homelessness doesn’t get in the way of self teaching quantum physics, engineering and propulsion, and of course, don’t forget, what took Han Solo many, many years, learning the ins and outs of The Millennium Falcon, took Rey just a few seconds.

No-one likes a smart arse.

Even if she’s a girl.

So, if you’re over fifty, you will either be patronized, humiliated, killed off, given a couple of lines and forgotten about for the rest of the movie. Or, if your name is Mark Hamill, and you’re obviously over fifty, you won’t appear until the last five minutes of the movie. But I’m sure you’ll be in the second one, as you’re bearded and wiser now and a new Obi Won Kenobi. Get used to it.

I hope in the next movie, we are going to see General Leia kicking someone up the arse, telling someone they stink, to their face, and that they are a little too short for a storm trooper, and start swinging off ropes in the Death Star. I was genuinely disturbed by the fact that Leia implied that she had been sitting home night after night waiting for Han to come home to her. He says I know that you missed me, I know about the pain of missing me and that’s why I did it. I was surprised this powerful intelligent confident woman was waiting at home, pining for a man, to turn up, who gleefully enjoys ‘stirring anxiety.’ Of course, Han is a P.U.A, naturally. And then I saw that Han had gone from playfully misogynistic to seriously misogynistic.

Is Chewie going to go off on a big revenge thing or is he going to be resigned to an old Chewie home, which would be consistent with getting rid of the old, and bringing in the new.

I was woefully mistaken in my hopes that we would see some swashbuckling action from Han, in the whole three movie franchise adventure…instead of what actually happened.

What a fool I was.

As I say, it’s a young man’s game. Look at this doddering old man who can’t even start up his own ship. Let’s all laugh at him. Let’s look at the fact that he’s seventy odd and his memory is going. Let’s put that across, so we can then do a spot of euthanasia. Then everyone will think, well, we had to do that really. We had to put him down. It wasn’t fair on him.

Now, all these spring chickens in this movie, will happily attract other spring chickens to the cinema, as they have lots of spare cash and can make the film companies lots of dosh.

Don’t get me wrong, the new up and coming young actors in it are great, and you can see that they have a wonderful future ahead of them. Rey, Finn and Kylo are going to be wonderful in this new saga and will end up as iconic as Han, Leia and Luke. A new generation.

Harrison Ford as Han, is an iconic figure with so much mileage, but they have decided to kill off their golden goose. Han has been slaughtered and euthanised by Kylo. Let’s waste him, in favour of the young ‘uns. Youth is the thing.

Your grandparents are only good for one thing. Presents.

It would have been better if Han would have retired and played golf instead of being impaled like that. He may have made the finals of the desert golf championships on Tatooine. He does look a bit like Severiano Ballesteros, who was supposed to be the Han Solo of the golf word, but he is obviously more like Jimmy Connors, who was well known as the Han Solo of the tennis world in the early 80’s.

There’s another point. Han, at his age, and in his experience, would not still have two bit Chav gangsters coming after him, at this stage in the game. At his age, he’s have more seasoned rivals, more like himself and more in line with his level of experience and skill, which would have been gained by the time he was seventy. He would not still be in dealings with some teenaged gang on a street corner in Mos Eisley.

We keep banging our heads against a brick wall in our lives, sometimes…often, but we learn from our mistakes, even though we keep making them, but..surely Han would have moved on… in some way, somehow…It just doesn’t ring true.

There’s nothing wrong with Han Solo, played by Harrison Ford, so why are they saying he’s forgotten how to fly his beloved Millennium Falcon and this child has to tell him how to do it? Humiliating in the extreme. Listen Rey, you’re a nice kid and all, and somewhere along the line, you’re going to defeat ultimate evil, and stop the destruction of the universe, but don’t teach your granny to suck eggs okay?

It doesn’t ring true. I know, I keep saying it. This guy has social skills. The only thing they keep, of the original Han, is his contrariness, which unfortunately, now that he’s getting on a bit, just comes across as ‘Grumpy Old Man’. They should have put him in a smoking jacket, a silver fox, puffing on Eldorian cigars and drinking sand cider. He married a Princess for Goodness Sake. He married Princess Leia. He would have come up in the world in some small way. He’s been conning the inhabitants of this mythology for a very long time and gained a great deal of experience. By the time he’s seventy or so, he’d be a dab hand. He’d have written a ‘How To Win Friends and Influence Jakku.’ manual, at the very least. I think he would have even run for president. He’d have gone up, on the democratic end, against Arnie of the Star Wars Universe, and probably won.

It would have been nice to see him moving on. Everyone changes and matures with age, even if it’s just into more alternative chaos, or denial that you’re no longer an 25 year old smuggling space cowboy. We all evolve into something, even if we’re losers, or in denial, or won’t/can’t grow up? (This is resonating with me)  But we all evolve with time. We have to. He’d have changed, a little. Was Lucas pandering to his fans? Or rather J.J Abrams? That was exactly the case, he has said that, in a round about way, I can see where he was coming from, but, I was upset that Han has not moved on, has not ‘progressed’, has remained frozen, as if he was still back in carbonite, in 1984 in Jabba’s Hutt‘s Palace.

And he would not be in the same garb,  we all love that garb, it’s the sexiest garb ever, but he’s older, we’re older. I’m not ready to grow up either but we all like consistency. He would not be wearing the exact same clothes. What if Marilyn Monroe had lived until she was 90, would she still be wearing that iconic white dress, from the Seven Year Itch, the one she wore while standing above the Subway air vent on Lexington Avenue between 52nd and 53rd Street in New York City?

No…and only when she was alone in her bedroom, with a few sherries under her belt.

I admit at first, I liked the idea of Han in his black and white space cowboy stuff, because it appealed to my safe sense of nostalgia. How lovely and warm and fuzzy but fashions and trends change, even in space. Would you be wearing the exact same clothes twenty years on, even in space?

Even men don’t do that.

We all know people who stand still, but not like this.

It just doesn’t ring true to his character that he would let his beloved ship gather dust bunnies like that. It also doesn’t ring true that he would owe all these space gangsters money and favours and they would be still be trying to kill him? He’d have come up with strategies by now. He’d have evolved, surely? Had people to take care of more pedestrian business. Unless, we are really trying to say that he’s a  loser, who doesn’t learn from his mistakes, or hone his game? That he was in his dotage and he doesn’t know how to turn ‘her’ on any more. And we’re not saying that, are we?

HAN: Yes, I pressed all the right buttons in my youth but it’s all slippers and afternoon game shows from now on.

You can’t please all of the people all of the time I guess.

But you can still pull a lever and press a button. You can still turn on the Millennium, can’t you, Han?

Okay, so we have encountered extreme ageism in this new saga, so far, but that’s okay, Ageism won’t cause a riot yet will it? It’s not yet politically incorrect to be ageist. It’s not going to get people’s backs up. So, we can let it go and no-one but no-one, will be character assassinated for ageism. So ageism will exist…in your face.

Apart from that, I genuinely liked everything else about the film, especially the fact that this new up and coming young Jedi is a girl. How non sexist! Oh, how forward thinking.

As Geena Davies might say, thanks for the tokenism boys, but will it actually be sustainable? Will it go anywhere? Will it be nothing more but the false girl power of yesteryear, a lip service, an opium of the masses, just to sedate the ladies for a short time? Oh look, a girl is going to be a Jedi! Well then, that should keep us satisfied for the next twenty blockbusters and for the next twenty years. Phew. Good to get them off our backs. Not that they were ever really seriously on them.

Now, after a nice quick patronizing pat on the head, we can sit back and relax girls. Surely we should be happy now. Something to be grateful for. Forget the revolution. Rey is the next Luke Skywalker!

All is well with the world.

Or is it?

Some of us might have thought thought sexism was a problem, and it is.

They way the older, iconic stars were treated in The Force Awakens upset and offends me, and it feels isolating, like no-one else can see it, but it was expected and that’s what is really disturbing.

But, I guess, we ain’t seen nothing yet.

 

Whatever Happened To…Geena Davis.

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She is tall and beautiful with a dazzling smile and auburn hair. She is an American film star, most dominant in the eighties, who has been in classic movies like Thelma and Louise, Beetle Juice, The Fly, Earth Girls Are Easy and Stuart Little. She has recently starred in successful U.S series Grey’s Anatomy as Dr. Nicole Herman. She is set to star in a Hollywood movie, currently in post production, called Majorie Prime.

Geena Davis discovered from an early age that she was musically gifted and could take to playing piano, flute and organ. She is fluent in Swedish, graduated with a bachelors degree in drama, is a member of Mensa, was a model at Zoli Modelling agency and wait for it, there’s more! … Davis was short-listed for the 2000 Olympics…as an archer. Is there nothing this girl can’t do! I hate her! No, only joking. I love the woman.

And I love her even more for her forays into the nature of inequality in the workforce, particularly in the creative entertainment business. Never mind Hollywood, sexism is prevalent everywhere, the work force, the sex force, the love force, the creative force, the just being friends force.

She has married, settled down and has children, but Our Geena won’t settle down into safe apathetic middle age. She doesn’t want to watch repeats of NCIS in the afternoons or camp down with Haggan Daz, and say f*** the world, I have a blissful middle class life. Who cares about the new sexy tight bodied female actors coming up in the world. Like I care. I got banana ice cream with caramel and cookie swirls and chocolate peace signs on this sofa. Or if it was me, cheesecake with Greek yoghurt and  blueberry swirls.

It was a bit like the scene in Labyrinth where Sarah is temporarily hoodwinked into thinking life is good and all she’ll ever need is her teddy bears and her dolls and her hidden object games. She’s in a safe and very blissful place, just having a happy girlish time.

Anyhow, Geena said, hang on a mo, wait there a sec, there’s something not quite right here peoples. I’ve just noticed, I’ve done the math  (As we noted before, she’s a member of Mensa) and  I’ve been watching films and I’ve noticed that women are a bit like mushrooms. Kept in the dark and fed s***.

Well she didn’t say anything like that. Apparently, she was sitting down to watch children’s telly with her daughter one evening, when she noticed an inequality in male to female roles. Perhaps she saw that in children’s programming first, because she was watching with her children, and then in t.v and movies generally. She must have thought, hang on, I’m smarter than the average pigeon. One word, Mensa.

Having read, studied and appeared in theatre plays, I have noticed, rather gradually (as I’m a slow learner) and rather indignantly, that male roles are first and foremost. They are always the most meaty ones, with the most lines, not necessarily the most poignant or meaningful but they are just there. It seems to be about air time, whether it’s theatre, t.v  or film, it’s about maximum male exposure. It’s the flasher made legal. They can be a cad, a rapist, a mad scientist, gangster, a writer, a war hero, an entrepreneur, lodger, bum, it doesn’t matter, as long as they’re male.

Having written theatre plays, I realise I may have been guilty, particularly as a youngster, of placing men in central roles, which is a product of deep seated conditioning, my environment, being a youngster, and a reflection of the social norms of the time. Having recognised that, I hope I can learn from it.

Male actors are always going to get more air time, more importance, more exposure and usually top billing. While men are the central character, always the maypole, the female(s) are not the reason for the story or the plot, they are always the bounce off, the supporting cast,the girl on the arm, the appendage, the trophy.

Geena officially investigated and intensively researched gender in children’s entertainment with the help of  the Annenberg School For Communication at the University Of southern California., It was discovered that there were nearly 3 males to every 1 female character in the almost 400 children’s movies analysed.

‘When my friends and I would act out movies as kids, we’d play the guy’s roles, since they had the most interesting things to do,’

– Geena Davis.

This happened to me too. Between the ages of 8 and 11, I role played a 27 year old ladies man called Keek Jones. I played him in little original plays and scenarios thought up by me and my on and off screen brother (whose pseudonym was Georgie Jones. We were a kind of Bodie and Doyle from The Professionals. I was Bodie, of course) and got so deeply involved in the character,that I didn’t know I was female and twelve, until I was about twelve.

Geena may not be in main roles in blockbuster movies any more but she is still making a splash in the awareness of gender issues in the entertainment/media industry. Like perhaps many other women, I couldn’t fail to notice discrepancies in gender imbalances in the entertainment industry, but have never thought it any big deal, just accepting it as ‘our lot’ as women. Although the studies have only been done in children’s television entertainment, it sweeps across the board. You don’t need a study from a university to prove it, but it helps.

What would help disprove sexual and gender inequality? Well things like, if Geena had a main female role in a major movie and not be relegated to the sidelines as somebody’s mother …and to be cast as the love interest. Yes, that might do it.

Guys like Harrison Ford are in their seventies and yet, it would be perfectly acceptable for them to sleep with younger women characters. Doesn’t usually work the other way around. There we have the inequality that is ignored, denied and not recognised among the Hollywood moguls, or perhaps in any workforce or walk of life. Girl power never existed. It was the usual lip service, patronized by powerful patriarchs behind closed doors. The Spice Girls just created an illusion designed to make men breathe a little easier.

Geena is currently looking into gender equality in all areas at the moment, not just in children’s entertainment, which doesn’t surprise, as it would be a natural progression. I’ll bet she’s opening up a whole can of worms in that area.  She says, “Amazingly, the ratio of male to female characters is exactly the same as it was in 1946. We see The Hunger Games come out and we think … things are changing, but the numbers haven’t changed.’

But apparently, there is an improvement in T.V, as opposed to movies, where women have stronger and more prominent female characters. An example being new marvel phenomenon Jessica Jones. Yet, women constitute just 12% of protagonists in both T.V and film. Only 17 percent of the screenwriters featured on the 2015 Black List were women. The Black List is what people behind the scenes are reading in Hollywood. Men predominantly write the scripts, a place where women are women and men like it. It’s only natural that men have a tendency to write from their perspective, a male one, so until women are represented equally in scriptwriting terms, until those scripts are chosen, until they are allowed to have a voice that writes from a female point of view, equality is not going to happen. What makes it worse, is that the Black List is the result of a survey of 250 entertainment executives, that is 40 percent female.

Geena Davis suggests that, although ground breaking films like ‘Thelma and Louise’ get made and are anticipated to induce a plethora of similar movies, in reality, this is just not the case. While people enjoy movies with female protagonists, they very rarely lead to any long term breakthroughs in gender presence. Instead, they remain simply novelties, designed to patronise and sedate.

Equality of the sexes is still a long, long way away. I open doors for men, as I open doors for women, (just because they’re human) and men get confused, as men do, and think I’m trying to get off with them, and the women never say thanks. I must have SOME motive? Sarcasm? Bitchiness? Likewise, I’ve seen men open doors for women (just because they’re human) and they get short shrift. (Probably, again, because they think the men are trying to get off with them or somehow trying to patronize them). Why can’t people just accept that maybe, just maybe, people are being polite and it has nothing to do with gender. When you open a door for someone, it’s about kindness and thoughtfulness and is just a very basic consideration from one human being to another. Or at least it should be. Why make it a gender issue. Let’s make it a person issue. The same goes for movies.

“Gender discrimination drives me crazy,” Streisand said. “Women are still treated as second-class citizens in the workplace and are not equally represented in Congress.”

Barbra Streisand and Geena Davis have offered a solution. The way forward is for women to join forces with each other in the industry. Women basically need to work together to change things. Nice idea. Well,  we all know how uncompetitive women are with each other and how they don’t have a bitchy thought in their heads. If there are self confident women, secure in their own bodies, like Geena and Barbra around, then it’s gonna work, let’s hope it does, but it might take a bit more time and a bit more of a mind shift for others.

And we’ll let Geena have the last word here…

Geena Davis’ TWO EASY STEPS TO MAKE HOLLYWOOD LESS SEXIST’:

Step 1: ‘Go through the projects you’re already working on and change a bunch of the characters’ first names to women’s names. With one stroke you’ve created some colorful unstereotypical female characters that might turn out to be even more interesting now that they’ve had a gender switch. What if the plumber or pilot or construction foreman is a woman? What if the taxi driver or the scheming politician is a woman? What if both police officers that arrive on the scene are women — and it’s not a big deal?

Step 2: When describing a crowd scene, write in the script, “A crowd gathers, which is half female.” That may seem weird, but I promise you, somehow or other on the set that day the crowd will turn out to be 17 percent female otherwise. Maybe first ADs think women don’t gather, I don’t know.

And there you have it. You have just quickly and easily boosted the female presence in your project without changing a line of dialogue’.

Sounds like a plan.